Doctor of Musical Arts in Organ
| Concentration and Code (click for Coursework Requirements) |
|---|
| Church Music (R114) |
Application Deadline
To receive full consideration for admission and graduate assistantships, the application deadline is December 1. The School of Music cannot guarantee an audition, interview, admission, or graduate assistantship if application is received after the deadline.
Residency Requirement
Assistantships
There is no separate application for assistantship. Unless the applicant indicates otherwise, we assume that all applicants are interested in being considered for assistantships. Please note that assistantships are usually awarded for the Fall and Spring semesters together. We very seldom have assistantships available for anyone entering in a Spring semester. We do not award assistantships for Summer sessions.
Procedure for Applying
Submit the online application (see Graduate Admissions page) and all materials described below. After submitting the online application, contact the organ faculty to schedule an audition. More details about the audition can be found at the bottom of this page.
Application materials required for all graduate degrees
These items must be submitted to the online graduate application system.
- Resume
- Submitted to the online application under the Resume tab.
- Submitted to the online application under the Resume tab.
- Statement of Purpose
- Submitted to the online application under the Statement of Purpose tab
- Please compose a brief personal statement (approximately 2–3 pages of double-spaced, 12-point font text with 1-inch margins) regarding your desire to pursue a graduate degree in music. Include responses to the following prompts:
- How would you describe your professional path to this point?
- Why do you want to pursue this degree at OU?
- How do you want to grow musically, artistically, pedagogically, and/or intellectually during your graduate studies?
- What skills, expertise, and experiences do you bring to graduate study at OU?
- Describe your post-degree plans (i.e., How will you apply your newly acquired academic knowledge and expertise?).
- Three letters of reference
- Submitted to the online application under Recommendations tab
- Your three reference letters should include:
- At least one letter from: your studio professor, ensemble conductor, chamber coach, etc., or a person who has considerable knowledge about your abilities as a performer or composer.
- At least one letter from: a person who can speak to your abilities as a scholar of music.
Scholarly writing requirement
This degree requires you to submit a sample of your scholarly writing.
- Submitted to the online application under the Supporting Documents tab
- The guidelines for this writing sample are as follows:
- Should represent your best writing and researching skills.
- Preferably not more than 3 years old; should be recently revised. If you do not have a recent scholarly writing sample on hand, we ask that you compose something original.
- Adhere to a consistent method of formatting and citations (e.g., Chicago, MLA, Turabian, APA) and include a bibliography/reference list.
- A minimum of 5 pages of double-spaced, 12-point font text (not counting bibliography) with typical 1-inch margins.
- Ensure your writing sample is representative of the field. Consider presenting a complete argument supporting a clear thesis, perhaps methodological in nature for empirical research, or other format reflective of various academic areas in music.
- Please contact the Graduate Music Office (gradmusic@ou.edu) or the area chair for your program with any questions about meeting these requirements.
Audition
After submitting the online application, contact the organ faculty to schedule a live, on-campus audition. Recordings may be submitted for preliminary consideration, but they will not take the place of the live audition. Audio or video files or links to online recordings may be submitted to the online application under Digital Portfolio > Upload Media.
The audition experience will include:
- Thirty minutes of prepared music, demonstrating Baroque, Romantic, and contemporary styles. Playing from memory is strongly encouraged but not required.
- One sight-read piece
- One figured bass exercise
- One transposition exercise
- One harmonization on a given melody
- A short interview
