A message from Dr. Amber N. Wiley, director of the OU Institute for Quality Communities.
Dear Placemaking Community,
I hope this email finds you well. I am excited to introduce myself as the new Director of the Institute for Quality Communities. It is an honor to join this organization and contribute to its mission of fostering vibrant, sustainable, and thriving communities throughout the state of Oklahoma.
As an Oklahoma-raised historian and preservationist, I have advocated for better preservation policy and practice in local, federal, and international settings. This includes consulting on and curating exhibitions at the National Building Museum in Washington, DC and Rutgers University in New Jersey, developing preservation programs and interpretation for National Historic Landmarks (NHL) in Philadelphia and across the country, and serving as a policy advisor for the National Park Service NHL program.
My scholarship covers African American and African diasporic cultural heritage, urbanism in New Orleans, school design, urban renewal, and preservation policy. My book, Model Schools in the Model City, will be released by the University of Pittsburgh Press this April.
I am eager to bring my professional experience to collaborations with our partners, stakeholders, and community leaders to build on IQC’s strong foundation. I have already enjoyed site visits with community partners in Oklahoma City, Taft, Sallisaw, and Westville, and look forward to maintaining existing relationships as well as fostering new ones.
As you know, two of our cornerstone programs at the IQC are the Placemaking Conference and the Community Assistance Projects. I understand this already great excitement expressed about both for this year. Unfortunately, given the timing of my transition into the IQC, I have made the difficult decision to forgo the Placemaking Conference this spring 2025, looking to resume it in spring 2027. While I know this news is disappointing to many, we remain committed to providing valuable opportunities for learning, collaboration, and community impact.
To that end, please stay tuned for the launch of our Request for Proposals (RFP) process for the Community Assistance Projects later this month. Expect a separate communication with more information including the RFP process timeline. We encourage municipalities, organizations, and community groups to apply for assistance with projects. Check out the project library for dozens of examples.
I look forward to connecting with you in the coming weeks and months to learn more about your perspectives and explore ways we can work together. Please feel free to reach out at any time—I would love to hear your thoughts and ideas.
Best,
Amber N. Wiley, Ph.D.
Director, Institute for Quality Communities
Christopher C. Gibbs College of Architecture
The University of Oklahoma
https://iqc.ou.edu
Photograph courtesy of SIKE Images.
A team of Construction Science and Architecture students from the Gibbs College of Architecture made their mark on the national stage this week, earning third place out of 37 universities competing at the National Association of Home Builders (NAHB) Student Competition, held during the International Builders' Show in Orlando, February 16-18, 2026.
The American Institute of Architects (AIA) has elevated Gary Armbruster, FAIA, ALEP to its prestigious College of Fellows—AIA’s highest membership honor—for his exceptional work and sustained contributions to architecture and society. Fellowship recognizes architects who have achieved a standard of excellence in the profession and made a significant impact at a national level. Members elevated to this distinction carry the FAIA designation after their name.
Students from the Spring 2026 Graduate 4 Architecture Design Studio, led by Professor Amy Leveno, exhibited their work at the School of Visual Arts. The exhibition, titled Reimagining the OU School of Visual Arts, featured drawings, models, and animations developed throughout the semester's studio project. The show was hosted in The Spotlight, a creative gallery space located on the first floor of the Fred Jones Art Center, and ran from January 20–30, 2026.
